Amber: Era of Ignition really looks at this wild, chaotic world that we're living in right now, and especially in the United States post-Me Too and Time's Up in the last two years since that has happened … and this sense of we're not able to control what is happening. There seems to be a lot of anger and a lot of protests and a lot of questioning about supremacy and identity and all of the things that should matter to us as a country and as a culture, things like white feminism for instance, which is a very triggering word for a lot of white women. Whereas in this book, I really offer that it's important to lean into that and to not be afraid to be uncomfortable. My argument for the book is looking at how we can harness our own fears and the chaos of this moment into something really productive and profound and powerful and to not shy away from the fact that, especially women, we are in the center of a revolution right now. To call it anything less really undermines us and what we're all trying to do collectively to have more representation and equality in the world we want to live in.
Teresa Sorkin and Tullan Holmqvist, THE WOMAN IN THE PARK
Tullan: We're both very empathetic and can feel a lot and at this stage in your life when you have kids. This [character] Sarah Rock, she's married. She has two kids. The kids are getting a little bit older, time to move on in some ways. You find yourself looking at your own life. Who am I? What did I want to do? Where do I want to go? You're at a different stage in life. You're still the same person inside in some ways, but in other ways not. There was actually a woman that we used to see in the park that sparked our imagination, let's put it. That was the seed. She was always by herself.
Randi Zinn, GOING BEYOND MOM
Randi: I was a yoga teacher for a handful of years while I was juggling a lot of other very complicated parts of my life, which I have a feeling we'll get into. Yoga was my saving grace personally. It also became the place where I could take a lot of the struggles in my life, take the lessons I was learning from them, and help people. It was a very direct equation. My favorite part of teaching yoga was not so much about the poses. Although, I love the poses. They're incredibly healing. I loved telling stories. That was where I dug the experience of teaching. If you're a yoga person, you might know that as the dharma talk. The dharma talk is that moment in the beginning of class where you take a deep breath and then your teacher gives you some kind of nugget of wisdom. That was my favorite part. Then connecting that to the postures felt like this incredible opportunity to weave whatever I was going through and give something, a gift, to a people that could, in a way I might never know, help them.
Suzanne Morrison, YOGA BITCH
Suzanne: I made this vow that I was not going to lie in my journal. It made a huge difference in my life. Just that one decision, to be honest, in this one place, this journal of mine -- I knew I wasn't going to burn it when I got home, but I told myself I could or that I could just leave it in Indonesia in some dumpster or something like that so long as I was really honest. That was the game changer both in terms of learning about myself and my tendencies. Also, I think it's what made me a writer. I'd always been a writer, but this was the first time I was like, if I'm going to be a writer, I have to actually be willing to face what's true for me.
Ray Dalio, PRINCIPLES FOR SUCCESS
Ray: A lot of people told me, "Wow, it changed my life." It had an important effect on them. A number of parents said, "Can you make it a simpler version that I could read to my kids? I'd like to pass them along. It's different from the regular principles that they're learning." Then also, other people wanted to get it in a distilled version rather than the six-hundred-page version. I decided to make it real short and real easy to read. It's 125 pages with probably 25 words on a page or something. I needed to distill it down for that reason. That's why the kid's book, it's really a book of all ages. Adults like it as well as kids like it. Parents read it to their kids. It's a simple book that basically conveys these simple principles that helped me and seem to be helping a lot of people.
Barbara Natterson-Horowitz, WILDHOOD
Barbara: I have an unusual background for somebody to be writing about animals. I spent over twenty years as a physician, as a cardiologist, a professor of medicine at UCLA. One day I got a call from one of the veterinarians at the Los Angeles Zoo who wanted me to come and image the hearts of some of their animal patients. It was actually a chimpanzee who they thought had had a stroke. That experience led to a request a few weeks later to image a gorilla’s aorta and then a few months later, the heart of a lion they thought had metastatic breast cancer, and so on and so forth. What happened over the course of several years is that even though I was spending ninety-eight percent of my time at UCLA at the human hospital taking care of human beings with heart attacks and high cholesterol, etc., I was also going to the zoo periodically and joining the vets on rounds where they were talking about heart failure in a kangaroo or metastatic melanoma in a rhino, and even behavioral problems. They were talking about dosing fluoxetine, which is Prozac effectively, for some of their animals who had compulsions and anxiety. I had this aha moment. It was really an aha moment. Here I had been a professor of medicine for twenty years taking care of very advanced cardiovascular disease. I'd been teaching medical students. I really had never thought much about the so-called human diseases in non-human animals. In other words, I thought about cancer and heart disease as diseases of civilization. Those are human. I just hadn’t really looked at it from a broader perspective.
Sandra Miller, TROVE: A WOMAN'S SEARCH FOR TRUTH AND BURIED TREASURE
Sandra: In 2011, my friend David emailed me. He said he knew of this treasure chest filled with ten thousand dollars in gold coins buried in New York City, and did I want to go with him to dig it up. It was a tough time in my life. My mom, whom I was quite disconnected from, was very ill. My children were hitting tweenhood. They were outgrowing the need for constant mothering, leaving me a gaping hole in my life. I was taking out a lot of the stress around my mom on my husband. I decided to go. I set off with David from Boston to New York City. We started looking for this treasure chest. In the process of searching for that treasure chest, I discovered that I was actually on a much deeper search for something more than a chest filled with ten thousand dollars in coins.
Rochelle Weinstein, THIS IS NOT HOW IT ENDS
Rochelle: I ended up getting rejected by agents across the board. I decided I was going to self-publish. I dealt with the stigma and the lack of credibility that was associated with self-publishing. I made a decision and what my goals were for my writing and what I wanted to do with my writing. I put the book out there. It hit the USA Today best-seller list, not right away. It built traction. My second book, I self-published as well. Then I parlayed that into a book deal. Some authors, it’s really easy and it’s a straight shoot. I'm here to tell you that it’s not that way for a lot of authors. It’s a lot of work. It’s a lot of effort. It’s a lot of thick skin and being resilient. That's the message that I give to all aspiring authors.
Kiley Reid, SUCH A FUN AGE
Kiley: What makes Iowa so special is they are the school that invented the workshop process where you turn in work the week before, everyone reads it. Then you sit there silently while everyone gives feedback. It’s not easy. I think it’s really important. It’s difficult when everyone's going around talking about what's working or what's not working. Then you have to go to dinner and show a brave face right after. I went in knowing that I wanted readers who would extend my time there. I came out with three women who are my people and my readers of everything. I probably took eighty-five percent of the edits that were given to me. That was a great workshop.
Rachel Barenbaum, A BEND IN THE STARS
Rachel: I am just a lover of science. One of the big questions that I struggled with, and still struggle with, is what is time? What is this notion of time? A second, an hour, a calendar, it’s something we have invented. We've all agreed on it. It’s really important to have schedules to organize, for example, train schedules, but it's just made up. What is time? I really came at it and Einstein from this philosophical perspective. He wasn't even really a very good mathematician. He was better than me, but he was a not a genius mathematician. He was more this genius thinker. He had genius mathematicians help him.
Melissa T. Shultz, FROM MOM TO ME AGAIN
Melissa: The book is written for moms with kids in junior high and up. It’s really about the process of letting go and learning to move forward. There's lots of storytelling from me and other moms. There's interviews with professionals like therapists, researchers, and job counselors. It’s part memoir and part self-help. I talk a lot in the book about the ups and downs that are part of the journey and the areas of life that the journey touches on like friendships, marriage, careers. I wrote it because although I found lots of books that talked about life after the kids leave, I couldn't find any to help prepare me before they left. I turned to books as a resource. I had done that throughout my kids’ life so I could make better choices, more informed choice to understand their needs beyond what may come naturally to me.
Bettina Elias Siegel, KID FOOD
Bettina: The book was my attempt to explain in a little bit more detail what is going on in different contexts in children's lives, so everything from children's menus to what's going on in the school cafeteria to why is it that every adult seems to want to give your kid a treat at different times during the day for different reasons? I drill down into each one of those to educate parents. Then the ultimate goal of the book is really to empower parents. I'm trying to help them with any tools I can provide to navigate this very difficult food environment with their kid. Then on top of that, if they want to advocate, if they want to try to make it better, I also offer all kinds of advocacy tips and tools for that as well.
SPECIAL EPISODE: Delia Owens (re-release), WHERE THE CRAWDADS SING
Delia: I've written poetry all my life. I'm not saying I'm good at it at all. Words just come to my mind a lot. I feel a lot when I write poetry. I feel that the words themselves can be so inspiring to readers. Most people who love good prose and literature, even if they don't have time or the inclination to read poetry, when they do read a verse, they feel a lot. That was the number one thing I wanted about this book. I wanted people to feel. Poetry makes you feel. You can get your thoughts into a few words. You can do it in a way that it’s like putting a drug straight into your bloodstream. You have to read a whole novel sometimes to feel certain things and get the point. A poem can say so much in a few words. That's a reason it’s so powerful.
Teru Clavel, WORLD CLASS
Teru: I educated my three kids in the local public schools of Hong Kong, Shanghai, Tokyo, and then Palo Alto. I'm originally from New York City. It chronicles how we left New York in 2006 and then were in those cities, Hong Kong for four years, Shanghai for two, Tokyo for four, and then Palo Alto for two. Unlike the typical expatriate, we enrolled our children in the local public schools. They had a fully immersive cultural and linguistic experience. I was an education journalist overseas. I have a master’s in comparative international education. It’s half anecdotal and half research based. It’s basically to empower parents and educators and hopefully legislators too, to understand what's going on overseas and what we can be doing differently or what we are doing really well here in the US.
Elyssa Friedland & Kermit Roosevelt III, FIRST STREET
Kermit Roosevelt III: First Street is a character-driven drama that's set inside the United States Supreme Court. The main characters are law clerks for the supreme court. We thought it would be very interesting to take this powerful important branch of government that operates mostly in secrecy and try to give people a look inside it through the lives of the people who work behind the scenes. You read about the justices sometimes. You never read about the clerks, but they're there. They're working on all these cases. In some situations, they're actually very important. Sometimes they affect the outcome of the case.
Alicia Menendez, THE LIKEABILITY TRAP
Alicia: I'm a person who cares a lot about being well-liked. Originally, I wanted to write an Eat Pray Love for likeability where I would do fun things like meditate and go to yoga and somehow release this care I have about what other people think of me. What I learned talking with other women is that even women who don't give a damn feel that they often pay a price for being so brazenly themselves. It shifted my focus to ask why that is and what these challenges are that women contend with. There's a lot of social science research on this. It’s all really interesting. If you’ve lived it, you're like, I don't need the social science research, I know this from experience. Women are put in one of two categories. We’re either assertive. We ask for what we want and what we need. Then we’re punished and told that we’re too aggressive. Or we are warm and kind and communal and all of the things that we expect women to be. Then we are punished because we’re not seen as leaders in our workplace. Women are in this impossible bind where they can either be the things we expect of a woman or be the things we expect of a leader, but we’re told that those two things are mutually exclusive.
Richie Jackson, GAY LIKE ME
Richie: I had finished producing a TV series for seven seasons. I had sat down to create a series. I wanted to do a series about the difference between being gay when I was a teenager and what it’s like to be gay now. I wrote plot outlines. I came up with characters. I thought it would be really funny if an older gay man found himself living with a twenty-something gay, and the hilarity ensues. Just as I was trying to figure out this show, our fifteen-year-old son told us he was gay. Everything I was trying to put in the pilot was happening at our dinner table. I thought, this is not a TV show. It’s my real life. He told us, “It’s no big deal. My generation thinks it’s not a big deal.” I thought, oh, I need to tell him what a big deal it is. Being gay is the best thing about me. It’s the most important thing about me. It’s been the blessing of my life. I wanted to share that with him so he wouldn't undervalue what a gift it is. Then in 2016, Donald Trump was elected and declared war on gay people. I also had to warn him, what it takes to be a gay man in America right now. That was the impetus for the book.
Julie Valerie, HOLLY BANKS FULL OF ANGST
Julie: My husband used to tell me when I would get frustrated with that manuscript, he would say, “Don't write that. That's not you. You should write what you're writing in your emails.” I had a number of emails about mom life that were funny. They were kind of going viral in our social group. He was like, “You need to tap into that. That's what resonates with you. You're a funny writer.” I was trying to write a serious novel, but I think I'm more for humorous novels. He said, “Write what you write in your emails.” Then I remember thinking, that is the craziest thing, looking at email and saying, how do I take an email and build that into a whole storyline? There was a kernel of something in there. I think it was a kernel of truth, the truth that I was living and my friends were living in motherhood that needed exploring. Then I set the other manuscript aside after many, many years and started with my twenty-six letters and set of punctuation marks, black ink on white paper. I started letter by letter, word by word building out the story that eventually became the first book in the Village of Primm series, Holly Banks Full of Angst.
Sheryl Haft, GOODIGHT BUBBALA
Sheryl: Goodnight Moon was written in 1947. It’s such a calm and beautiful book with the quiet old lady whispering “Hush.” I couldn't help but what wonder what that story would look like today. In particular, what would it look like with my family, my big, not-so-quiet Jewish family? That's when I realized I wanted to write a book where they would come bursting into this bedtime with singing and dancing with their Yiddish words and then of course with something to eat, a nash.
Jamie Hantman, HEELS IN THE ARENA
Jamie: I realized that we are supposed to speak out. We each have a unique thing to contribute to the world. I have these interesting stories, but it isn't just about telling the stories. I tried to write it in a way where my stories could be helpful to other people, to young women who may want to go into public service in some way. We’re in a time when people are incredibly interested in what's going on in our government. It’s exciting to see, Women’s March and the students’ March for Our Lives. There's so much passion. I wanted to provide a little bit of a guidebook for someone who may decide they want to take it to the next level providing the lessons that I learned and pieces of advice. A lot of it applies to DC. Some of it can apply no matter what you do.


















